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Kertész’s recording with the LSO stands out because it offers a less common perspective on Kodály’s Háry János by including arias rather than focusing solely on the suite. It gives listeners the opportunity to hear both the lush orchestral textures Kodály is known for, as well as the vocal storytelling that adds humor, emotion, and character to the tales of Háry János. The fact that Kertész chose to include these arias shows his commitment to presenting a fuller picture of Kodály’s masterpiece.
This recording remains a classic example of how Kodály’s operatic and orchestral worlds can merge beautifully, particularly when performed by a conductor and orchestra so attuned to his nationalistic and folk-inspired vision.
Olga Szönyi’s collaboration with István Kertész and the LSO on this album elevated the operatic elements of Háry János, making it a unique recording that combines both instrumental and vocal brilliance.
Szönyi was a prominent Hungarian soprano known for her clear voice and strong interpretive skills, particularly in Hungarian repertoire.
Artist(s): Conductor – István Kertész
Orchestra – London Symphony Orchestra
Soprano Vocals – Olga Szönyi
Cimbalom – John Leach
Recording Info: Producer: Ray Minschull
Engineer: Kenneth Wilkinson
Recorded Feb 28 & March 2, 1964
Kingsway Hall, London
Transferred from a 15ips 2-track tape
Analog: Transferred using a modified Nagra 4SJ with large reel adapter tape deck feeding a Merrill Tape Preamp
Digital: Merging Hapi Analog to Digital Converter clocked by an Antelope Audio 10MX Atomic Clock
Power Conditioning: Shunyata Research Everest 8000 for all components
All components grounded to Shunyata ALTAIRA Hubs
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